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Table of Contents, Volume 6a: The Early Twentieth Century

Preface
 
Acknowledgments
  
Introduction to The Early Twentieth Century: From 1900 to Mid-Century
The Edwardian Period
The World Wars
Marx, Einstein, Freud, and Modernism
The Place of Women
Avant-Garde and Mass Culture
Sexual Orientation
Ireland
Ideology and Economics in the 1930s and 1940s
The Literature of the 1930s and 1940s
Literature and Empire
The English Language in the Early Twentieth Century 
 
History of the Language and of Print Culture
 
THOMAS HARDY
Hap
Neutral Tones
The Darkling Thrush
The Ruined Maid
A Broken Appointment
Shut Out That Moon
The Convergence of the Twain
Channel Firing
The Voice
Transformations
In Time of "The Breaking of Nations"
The Photograph
During Wind and Rain
The Oxen
Going and Staying
In Context: Hardy's Reflections on the Writing of Poetry

ALICE MEYNELL - VIEW THIS SELECTION
A Father of Women
The Threshing Machine
Reflections: (1) In Ireland
Reflections: (2) In Othello
Reflections: (3) In Two Poets

BERNARD SHAW
Mrs Warren’s Profession 
 
In Context: Shaw's Prefaces - VIEW THIS SELECTION
from "Preface" to Plays Unpleasant 
from "Preface" to Mrs Warren's Profession 
 
In Context: The Profession of Prostitution - VIEW THIS SELECTION
from William Acton, "Prostitution Considered in its Moral, Social, and Sanitary Aspects," in London and Other Large Cities
Selected Illustrations  
   

JOSEPH CONRAD

An Outpost of Progress
"Preface" to The Nigger of the "Narcissus"  
The Secret Sharer
from "Some Reflections on the Loss of the Titanic"
In Context: "The Vilest Scramble for Loot" in Central Africa
from William G. Stairs, Diaries
from Henry Morgan Stanley, "Speech Given to the Lotus Club, New York"
from Henry Morgan Stanley, In Darkest Africa
from Joseph Chamberlain, "Speech to the House of Commons" (6 August 1901)
from Roger Casement, Congo Report
In Context: Conrad As Seen By His Contemporaries - VIEW THIS SELECTION
 
In Context: Miscommunication at Sea - VIEW THIS SELECTION
from Joseph Conrad, The Mirror of the Sea: Memories and Impressions

A.E. HOUSMAN
Loveliest of Trees
To an Athlete Dying Young
Terence, This Is Stupid Stuff
The Chestnut Casts His Flambeaux
Epitaph on an Army of Mercenaries

EDWARD THOMAS
Tears
The Owl
Rain

SIEGFRIED SASSOON
They
Glory of Women
Everyone Sang
from Memoirs of an Infantry Officer

RUPERT BROOKE
Clouds
The Dead
The Soldier
The Great Lover - VIEW THIS SELECTION

ISAAC ROSENBERG
Break of Day in the Trenches
Dead Man's Dump
Louse Hunting
Returning, We Hear the Larks

WILFRED OWEN
Arms and the Boy
Dulce et Decorum Est
Anthem for Doomed Youth
Strange Meeting
Futility
Letters
To Susan Owen, 7 January 1917
To Susan Owen, 10 January 1917
To Susan Owen, 16 January 1917
To Colin Owen, 2 March 1917
To Susan Owen, [?16] May 1917
To Susan Owen, 18 May 1917
To Susan Owen, 23 May 1917
To Susan Owen, 22 August 1917
To Tom Owen, 26 August 1917
To Mary Owen, 29 August 1917
To Susan Owen, 4 (or 6) October 1918
To Susan Owen, 8 October 1918
To Susan Owen, 29 October 1918
To Susan Owen, 31 October 1918

CONTEXTS: WAR AND REVOLUTION
from Anonymous, "Introduction" to Songs and Sonnets for England in War Time
"In Flanders Fields": The Poem, and Some Responses
John McCrae, "In Flanders Fields"
John Mitchell, "Reply to In Flanders Fields"
J.A. Armstrong, "Another Reply to In Flanders Fields"
Elizabeth Daryush, "Flanders Fields"
Anonymous, "I Learned to Wash in Shell-Holes"
J.P. Long and Maurice Scott, "Oh! It's a Lovely War"
Jessie Pope, Selected Poems and Prose - VIEW THIS SELECTION - *NEW* 
from Rebecca West, "The Cordite Makers"
from Francis Marion Beynon, Aleta Day

from Chapter 24, War  

Ivor Gurney, "To His Love"

Vance Palmer, "The Farmer Remembers the Somme"

from Robert Graves, Goodbye to All That

from Chapter 17

from May Wedderburn Cannan, Grey Ghosts and Voices

from "Proceedings" of the All-Russian Central Executive Committee of Soviets of Workers', Soldiers', and Peasants' Deputies


WILLIAM BUTLER YEATS
The Lake Isle of Innisfree
When You Are Old
Who Goes with Fergus?
Adam’s Curse
No Second Troy
Easter 1916
The Wild Swans at Coole
In Memory of Major Robert Gregory
Nineteen Hundred and Nineteen
A Prayer for My Daughter
An Irish Airman Foresees his Death
The Second Coming
Meditations in Time of Civil War
Leda and the Swan
Among School Children
Sailing to Byzantium
The Tower
A Dialogue of Self and Soul
Byzantium
For Anne Gregory
Crazy Jane Talks with the Bishop
Lapis Lazuli
The Circus Animals' Desertion
Under Ben Bulben

In Context: Yeats on Poetic Inspiration

from "The Symbolism of Poetry"
from "Four Years"
from "Introduction" to A Vision 

In Context: The Struggle for Irish Independence

Poblacht na h-Eireann: Proclamation of the Irish Republic

Padraic Pearse, "Statement"

 

H.G. WELLS - VIEW THIS SELECTION

The New Accelerator
The Star
In Context: Wells's Non-Fiction 

from H.G. Wells, The Extinction of Man: Some Speculative Suggestions

 

SAKI (H.H. MUNRO) - VIEW THIS SELECTION

Tobermory


DOROTHY RICHARDSON

About Punctuation

Journey to Paradise

"Foreword" to Pilgrimage


ROBERT SERVICE - VIEW THIS SELECTION

The Cremation of Sam McGee


E.M. FORSTER 

The Machine Stops - VIEW THIS SELECTION
The Road from Colonus
from "What I Believe"

 

P.G. WODEHOUSE

Honeysuckle Cottage


VIRGINIA WOOLF

    Monday or Tuesday
        A Haunted House
        A Society
        Monday or Tuesday
        An Unwritten Novel
        The String Quartet
        Blue & Green
        Kew Gardens
        The Mark on the Wall
    Mrs. Dalloway in Bond Street
    from “On Re-reading Novels”
    from “How it Strikes a Contemporary”
    Modern Fiction
    from A Room of One's Own
        Chapter 1
        Chapter 2
        Chapter 3
    from “A Sketch of the Past”
    In Context: Woolf and Bloomsbury
    In Context: Woolf as Writer
        from Virginia Woolf, A Writer’s Diary
        from E.M. Forster, “Review of ‘Kew Gardens’”
        from unsigned “Review of ‘Kew Gardens’”
        from W.L. Courtney, “Review of Jacob's Room”


CONTEXTS: GENDER AND SEXUAL ORIENTATION

from Edward Carpenter, Love's Coming of Age

"The Intermediate Sex"

from Havelock Ellis, Sexual Inversion

from Chapter 3, Sexual Inversion in Men

from Chapter 4, Sexual Inversion in Women

from Chapter 5, The Nature of Sexual Inversion

from Grant Allen, "Woman's Place in Nature"

from Cicely Hamilton, Marriage as a Trade

Female Suffrage

Anonymous, ["There Was a Small Woman Called G"]

from Emmeline Pankhurst, My Own Story

from Marie Stopes, Married Love

from Virginia Woolf, Orlando

from George Orwell, "Boys' Weeklies"

from Frank Richard, "Frank Richard Replies to George Orwell"

from Robert Roberts, The Classic Slum

from E.M. Forster, "Terminal Note" to Maurice

from Virginia Woolf, "Old Bloomsbury"


JAMES JOYCE

Eveline

Araby

The Dead

 

Ivy Day in the Committee Room - VIEW THIS SELECTION

 

A Little Cloud - VIEW THIS SELECTION

 

The Boarding House - VIEW THIS SELECTION

 

from Ulysses

Chapter 13, Nausicaa

In Context: Joyce's Dublin  

In Context: Beckett and Joyce

from Samuel Beckett, "Dante…Bruno. Vico…Joyce"


D.H. LAWRENCE

Tortoise Shout

Snake

Bavarian Gentians

The Prussian Officer

Odour of Chrysanthemums

The Hopi Snake Dance

Why the Novel Matters


CONTEXTS: WORK AND WORKING-CLASS LIFE

from George Orwell, The Road to Wigan Pier
from "A Debate Between G.B. Shaw and G.K. Chesterton, Chaired by Hilaire Belloc"

from Robert Roberts, The Classic Slum


KATHERINE MANSFIELD

Bliss

The Garden Party

Miss Brill

Daughters of the Late Colonel - VIEW THIS SELECTION


T.S. ELIOT

The Love Song of J. Alfred Prufrock

Preludes

Burbank with a Baedeker: Bleistein with a Cigar

Gerontion

The Waste Land

Journey of the Magi

Marina 

Burnt Norton

Tradition and the Individual Talent

The Metaphysical Poets

In Context: T.S. Eliot and Anti-Semitism


CONTEXTS: ELIOT, POUND, AND THE VORTEX OF MODERNISM

from Jules Huret, "Interview with Stephane Mallarme," L'Echo de Paris 

Imagist and Futurist Poetry: A Sampling

T.E. Hulme

Autumn 

Ezra Pound

In a Station of the Metro 

Alba  

L'Art, 1910  

H.D.

Oread

The Pool

Mina Loy 

from "Three Moments in Paris"

1. One O'Clock at Night 

from "Love Songs"

Imagism and Vorticism

from F.S. Flint, "Imagisme," Poetry Magazine

from Ezra Pound, "A Few Don'ts By an Imagiste," Poetry

from Ezra Pound, "Vorticism," Gaudier-Brzeska 

from Virginia Woolf, "Character in Fiction"

Reactions to the Poems of T.S. Eliot  

from Arthur Waugh, "The New Poetry," Quarterly Review

from Ezra Pound, "Drunken Helots and Mr. Eliot," The Egoist

from unsigned "Review," Literary World 

from unsigned "Review," New Statesman 

from Conrad Aiken, "Diverse Realists," Dial 

from May Sinclair, "Prufrock and Other Observations: A Criticism," Little Review

from "Review of the First Issue of The Criterion," The Times Literary Supplement

from Gilbert Seldes, "Review," The Nation

from I.A. Richards, Principles of Literary Criticism

from Douglas LePan, "Personality of the Poet: Some Recollections of T.S. Eliot" 

 

HUGH MacDIARMID - VIEW THIS SELECTION

Another Epitaph on an Army of Mercenaries

In the Children's Hospital

from In Memoriam James Joyce

We Must Look at the Harebell


JEAN RHYS

Let them Call It Jazz

     
DAVID JONES  
from In Parenthesis
from "Preface"
from Part 7, The Five Unmistakable Marks
from The Sleeping Lord - VIEW THIS SELECTION

ROBERT GRAVES
The Cool Web
Down, Wanton, Down!
Recalling War

NANCY CUNARD
from Jamaica: The Negro Island
from The White Man’s Duty
from "Preface"  

ELIZABETH BOWEN
The Demon Lover - VIEW THIS SELECTION
Oh, Madam…

STEVIE SMITH
Mother, Among the Dustbins
The River God
Not Waving but Drowning
The New Age
Away, Melancholy
The Blue from Heaven
Pretty

GEORGE ORWELL
from Homage to Catalonia
Politics and the English Language
Shooting an Elephant
In Context: Elephants in Asia

SAMUEL BECKETT
Whoroscope
from Texts for Nothing
The Calmative
Imagination Dead Imagine
Krapp’s Last Tape

W.H. AUDEN
[O what is that sound]
[At last the secret is out]
[Funeral Blues]
Spain 1937
[Lullaby]
[As I walked out one evening]
Musee des Beaux Arts
In Memory of W.B. Yeats
September 1, 1939
from The Sea and the Mirror [Song of the Master and Boatswain]
The Shield of Achilles
"The Truest Poetry is the Most Feigning"
In Context: Auden on the Nature and Craft of Poetry
from Writing

CONTEXTS: WORLD WAR II
Winston Churchill, Speeches to the House of Commons
from "Blood, Toil, Tears, and Sweat" (13 May 1940)
from "We Shall Fight on the Beaches" (4 June 1940)
from "Their Finest Hour" (18 June 1940)
from Harold Nicholson, The War Years: 1939-1945
from Charles Ritchie, The Siren Years
Ross Parker and Hughie Charles, "We'll Meet Again"
Nat Burton and Walter Kent, "The White Cliffs of Dover"
Anonymous, Fucking Tobruk - VIEW THIS SELECTION
from John Lehmann, "Foreword" to The Penguin New Writing
David Campbell, "Men in Green"
Keith Douglas, "Vergissmeinnicht"
from Henry Reed, Lessons of War
1. Naming of Parts
Douglas LePan
"Below Monte Cassino"
"The Haystack"
Life at Home
Anti-Semitism and World War II
from Ezra Pound, "Speech to the English"
from George Orwell, "Anti-Semitism in Britain"
from Rebecca West, "Greenhouse with Cyclamens"
from George Bernard Shaw, "The Unavoidable Subject"
 
APPENDICES
 
Reading Poetry
  
Maps
  
Monarchs and Prime Ministers of Great Britain
 
Glossary of Terms
 
Texts and Contexts: A Chronological Chart - VIEW THIS SELECTION
 
Bibliography - VIEW THIS SELECTION
 
Permissions Acknowledgments
   
Index of First Lines
 
Index of Authors and Titles
       
   
 

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